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In 1910, Alice Wells took the oath to join the all-male Los Angeles Police Department. She wore no uniform, carried no weapon, and kept her badge stuffed in her pocketbook. She wasn’t the first or only policewoman, but she became the movement’s most visible voice.
Police work from its very beginning was considered a male domain, far too dangerous and rough for a respectable woman to even contemplate doing, much less take on as a profession. A policewoman worked outside the home, walking dangerous city streets late at night to confront burglars, drunks, scam artists, and prostitutes. To solve crimes, she observed, collected evidence, and used reason and logic—traits typically associated with men. And most controversially of all, she had a purpose separate from her husband, children, and home. Women who donned the badge faced harassment and discrimination. It would take more than seventy years for women to enter the force as full-fledged officers.
Yet within the covers of popular fiction, women not only wrote mysteries but also created female characters that handily solved crimes. Smart, independent, and courageous, these nineteenth- and early twentieth-century female sleuths (including a healthy number created by male writers) set the stage for Agatha Christie’s Miss Marple, Sara Paretsky’s V. I. Warshawski, Patricia Cornwell’s Kay Scarpetta, and Sue Grafton’s Kinsey Millhone, as well as TV detectives such as Prime Suspect’s Jane Tennison and Law and Order’s Olivia Benson. The authors were not amateurs dabbling in detection but professional writers who helped define the genre and competed with men, often to greater success.
Pistols and Petticoats tells the story of women’s very early place in crime fiction and their public crusade to transform policing. Whether real or fictional, investigating women were nearly always at odds with society. Most women refused to let that stop them, paving the way to a modern professional life for women on the force and in popular culture.
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Release date
April 26, 2016 -
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- ISBN: 9780807039397
- File size: 6176 KB
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- ISBN: 9780807039397
- File size: 6176 KB
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Languages
- English
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Reviews
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Kirkus
February 1, 2016
A history of the intrepid women who ventured into male territory to solve crimes. Janik (Marketplace of the Marvelous: The Strange Origins of Modern Medicine, 2014, etc.) investigates nearly two centuries of policewomen, female detectives, and fictional sleuths in this lively look at women's adventuresome careers. In 1856, the famed detective Allan Pinkerton took a chance on hiring Kate Warne, who became "America's first-known female private eye and one of his finest sleuths." Warne brought to her job skills that most male detectives simply did not have: innocence and charm that earned the trust of criminals' wives and girlfriends, who divulged crucial information. Janik points out that sleuthing seemed a logical career for unmarried women, in both fact and fiction. "Detection," she writes, "gave women mobility and provided an acceptable outlet for probing into people's lives. Through sleuthing, the spinster turned gossip into an art and snooping into a useful science." Agatha Christie's clever, observant Miss Marple and Dorothy Sayers' "quick-witted" Miss Katherine Climpson are two examples, among many others. Women broke through police ranks, as well, first taking positions as matrons in police stations and prisons, where they forged connections to social workers. Matrons, the author finds, brought a "social-service approach to incarcerated women and children," aiming to prevent crimes, such as prostitution, through positive intervention. Joining a police force took longer: only a few cities appointed women in the early 1910s. By 1913, the number had increased to 38; two years later, 26 cities had brought the number to 70. In 1916, the first black policewoman joined the Los Angeles Police Department, and the following year, the first Hispanic officer was hired. Janik creates vivid portraits of many feisty women, including contemporary TV detectives such as Jessica Fletcher of Murder, She Wrote and Jane Tennison of Prime Suspect. An entertaining history of women's daring, defiant life choices.COPYRIGHT(2016) Kirkus Reviews, ALL RIGHTS RESERVED.
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Library Journal
April 15, 2016
Janik (Marketplace of the Marvelous) explores the history of women in law enforcement and in their portrayals in 19th- and 20th-century fiction. Police work was generally considered a profession exclusively for men up until 1910, when Alice Wells joined the all-male Los Angeles Police Department. Public opinion was that the job was too dangerous and not appropriate for a "respectable woman." Those who entered the profession often faced discrimination and harassment. Wells, for example, was not allowed to wear a uniform or carry a weapon, and didn't display a badge but carried one hidden in her purse. Despite all of this, she was considered a trailblazer in terms of the acceptance of females in a male-monopolized field. It would take years for women to enter the force as full-fledged officers. Yet in fiction, writers created female characters who not only solved crimes but also were courageous and clever. These figures were met with great success by the reading public and also set the stage for prominent women detectives on television and in movies. VERDICT A fascinating mix of the history of early policewomen and their role in crime fiction--positions that were then, and, to some extent evennow, in conflict with societal expectations. [See "Editors' Spring Picks," LJ 2/15/16, p. 32.]--Lyndsie Robinson, Milne Lib., SUNY Oneonta
Copyright 2016 Library Journal, LLC Used with permission.
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- Kindle Book
- OverDrive Read
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- English
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