Vladimir

November 22, 2021
Playwright Jonas debuts with a mordantly funny post-#MeToo campus story about a 50-something woman unhinged by desire for a younger man. The unnamed narrator, a tenured English professor at a small upstate New York liberal arts college, starts the fall semester embroiled in scandal. The scandal is not hers (at least not at first)—her husband, John, also a professor in the department, has been placed on leave pending the results of a hearing after being accused of sexual predation by a host of young women, many of them former students. Denounced by both her colleagues and her adult daughter for her complicity in John’s behavior, the narrator retreats into obsessive sexual fantasies about a new young colleague, Vladimir. She also yearns to recapture the physical allure of her youth and revive her own stagnant writing, and by the end, her behavior turns monstrous. Vain, narcissistic, and seemingly oblivious to the absurdity of her actions, the narrator can nevertheless pluck at readers’ sympathies, especially in the generous and thoughtful ways she helps her daughter during her own personal crisis. The author generously studs the narrative with clever literary allusions (the narrator describes her mind in contrast to Edna St. Vincent Millay’s: “more like a chaotic battle scene than the unfurling of insight”), and surprisingly upends assumptions about gender, power, and shame. Jonas is off to a strong start.

June 1, 2022

The unnamed main character in this slow-burn debut is a nearly 60-year-old college professor. Her husband, also a professor at the same small college, has been accused of raping many of his students, and he may be terminated for it. Both professors' lives come under scrutiny with their peers and students, colliding with issues such as the MeToo movement and violence against women by men in power. The main character and her husband have always had an open relationship, and she brushes off criticism of his affairs and the claims that his relationships with younger students were not consensual. But when Vladimir, a new young professor, unintentionally awakens desires and sensations the narrator thought she no longer could feel, the narrator seeks a way to capture him and to consume his talent, youth, and sexuality. Rebecca Lowman perfectly embodies the narrator's soft, contemplative, wise, superior, and clueless voice. VERDICT Recommended for readers of well-written psychological dramas.--Laura Brosie

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